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William Drenttel|Essays

David Hughes: Caricaturist of Our Time

"Gulf War," illustration by David Hughes, Observer Magazine, 1991.In the 1970s, I worked at the Forum Gallery in New York City. My job was to sort through hundreds of unattributed portraits by David Levine — the caricaturist for the …

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Jessica Helfand|Essays

On Considering the Source

A friend of mine, a painter, recently saw a group exhibition at PS1 in New York in which he was struck by the absence of primary source material. Although intentionally abstract works, these paintings all referenced extremely specific …

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Jessica Helfand|Essays

The Shock Of The Old: Rethinking Nostalgia

Nostalgia has always been a bad word for designers. Like "retro" and "vintage" it smacks of a sort of been-there-done-that ennui — looking backward instead of forward, nostalgia presents as the very antithesis of the new. Even …

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Alexandra Lange|Essays

Married with Tchotchkes

For many design-obsessed couples registering at Moss requires more strategy than playing the stock market.

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Jessica Helfand|Essays

On Citizenship and Humanity: An Appeal for Design Reform

It has been a hectic month here in the United States: a month of unspeakable hurricane devastation, two Supreme Court nominations and just this morning, a national address by our President reinforcing the White House's steadfast support of …

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Michael Bierut|Essays

Four Years After

After four years of ambiguity and contention and the World Trade Center site, Ellsworth Kelly's 2003 proposal seems wiser than ever.

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Jessica Helfand|Essays

Eye of the Storm

Several days ago, the first photographs showing the damage from Hurricane Katrina were published here in the American press. They were oddly disquieting, but mostly just enigmatic: one photo in particular showed the partially submerged …

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Rick Poynor|Essays

Sublime Little Tubes of Destruction

In a culture otherwise swamped with unregulated branding, the graphic counter-attack on the cigarette packet, on its visual integrity as a design and its brand equity, normally regarded as commercially sacrosanct, is a remarkable sight to …

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Jessica Helfand|Essays

A Mosaic of Vision and Memory

I have always tried, and urged my students to try, to think of writing as more than a mere accompaniment to graphic design. Rather, it is perhaps its most deeply resonant evocation: the degree to which language can imply, conjure, suggest, …

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Jessica Helfand|Essays

Why Bugs Don't Belong on TV

Animation courtesy of Colossus, Inc.On today's TV screens, the station-identification logo sits tethered to the surface, like an annoying rash that won't quite disappear. You think you've kicked it when — WHAMMMO — there it is …

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Rick Poynor|Essays

Vladimir’s House and Garden of Earthly Delights

Spending two weeks in Vladimir Beck's house on the island of Vrnik in Croatia made me question, yet again, rigid distinctions between artist and designer. Here, it's impossible to separate the two. Beck has designed every feature with a …

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Michael Bierut|Essays

My Favorite Book is Not About Design (or Is It?)

Act One, the autobiography of playwright and director Moss Hart, is the best, funniest, and most inspiring description of the creative process ever put down on paper.

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Audio

Lee Moreau

The Past, Present and Future of Design with Lee Moreau, DB|BD Season 12 Finale

The wonderful Wizard of Oz
Critique

Lee Moreau

The Wizards of AI are sad and lonely men

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Audio

Lee Moreau

Patrick Whitney on Designing for What’s Next | Design As Season Finale

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Audio

Lee Moreau

Design As Creation | Design As Consumption