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Typography

Showing 109 – 120 of 171 results

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Nancy Sharon Collins|Interviews

Mount Street Printers

Specialty printing shops are special, indeed.

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Observed|Miscellaneous

Typolitic

Typolitic is a new website that presents some of the best typographic student work from undergraduate design courses around the world.

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Observed|New Ideas

Arial vs Helvetica: War is Hell

The type world just isn't big enough for the both Arial and Helvetica. So what happens when they go to war?

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Maya P. Lim|Interviews

Why Not Futura? How Futura is Actually a Conversation with the Past

Maya P. Lim talks to Never Use Futura author Douglas Thomas.

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Ellen Lupton|Typography

The Making of Typographic Man

The self-reflexive type

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Alexandra Lange|Essays

Where Have All the Type Geeks Gone?

Set in Helvetica, the title for Up In the Air looks plain wrong.

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Mark Lamster|Essays

Belgium: A Note on the Type

When you think about national schools of typography, Belgium isn't the first country that comes to mind.

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Sebastian Carter|Essays

Jan Tschichold — Master Typographer

Jan Tschichold was one of the most distinguished typographers of the last century, and has had many admirers, among whom he himself was not the least. Jan Tschichold — Master Typographer is, as its title suggests, intended as a tribute …

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Ars Libri Ltd|Collections

Writing & Calligraphy

This remarkable collection of Writing & Calligraphy from the noted connoisseur and bibliophile Peter Arms Wick.

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Alexandra Lange|Essays

Numbers Game

In an attempt to skirt around the Landmakrs Preservation Commission, modernists in my neighborhood are declaring their taste through their house numbers.

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Jonathan Barnbrook|Miscellaneous

New Year's Greeting

Typography by Barnbrook Design, 2008Jonathan Barnbrook works as a designer and typographer in London. A monograph on his work, The Barnbrook Bible, was published in 2007.For additional perspective on eight years of the Bush …

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Steven Heller|Essays

Charles Peignot: Man Behind the Faces

Peignot typeface designed by A.M. Cassandre for Deberny & PeignotIn 1929, Charles Peignot, director of the French type foundry Deberny & Peignot, sponsored A.M. Cassandre's experimental new display typeface called Bifur. Its complex …

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Design As Creation | Design As Consumption